John romita jr wiki

John Romita Jr.

American comic book artist

John Salvatore Romita[1] (; born August 17, )[2] is an American comics artist best known for his extensive work for Marvel Comics from the s to the s.

He is the son of artist John Romita Sr.

Early life

John Romita Jr. was born August 17, ,[2] the son of Virginia (Bruno) and comic book artist John Romita Sr., one of the signature Spider-Man artists since the s.[3][4] He studied advertising art and design at Farmingdale State College in East Farmingdale, New York, graduating in [5]

Career

Romita Jr.'s first contribution to Marvel Comics was at the age of 13 with the creation of the original Prowler, a sketch of which Romita had produced.

Editor Stan Lee liked the entitle but not the costume; Romita combined the name with a design that he had previously intended for a character called the Stalker that was intended for the never-published The Spectacular Spider-Man #3.[6] Inspired by Romita's drawing, Lee, John Buscema and Jim Mooney created the Hobie Brown version of the traits that would debut in The Amazing Spider-Man #78 (Nov.

).[7]

Romita Jr. began his career at Marvel UK, doing sketches for covers of reprints. His American debut was a pin-up on Kid Colt Outlaw # and two months later with a six-page story entitled "Chaos at the Coffee Bean!" in The Amazing Spider-Man Annual #11 ().[1][8]

Romita's early popularity began with his run on Iron Man with writer David Michelinie and creator Bob Layton which began in The creative team introduced several supporting characters, including Tony Stark's bodyguard girlfriend Bethany Cabe[9] and rival industrialist Justin Hammer.[10] In the early s, he had his first regular run on the series The Amazing Spider-Man and also was the musician for the launch of the Dazzler series.

He and journalist Dennis O'Neil introduced Madame Web in The Amazing Spider-Man # (Nov. )[11] and Hydro-Man in issue # (Jan. ).[12] In , Romita Jr. drew Marvel Super Hero Contest of Champions[13] the first limited series published by Marvel Comics.

Working with writer Roger Stern on The Amazing Spider-Man, he co-created the character Hobgoblin.[14] From to he had a run on the Uncanny X-Men with Dan Leafy and author Chris Claremont and co-created Forge.[15] Romita has downplayed the significance of his race, saying that few of the characters introduced during this second were co-created by him and that his style has had no discernible influence on succeeding X-Men artists.

His relationship with Claremont was rather cool at the time, as Claremont did not like his work as much as the artists he had previously worked with.[16] He would return for a second run on Uncanny X-Men in ,[8] which he said he liked better "because of getting to work with [writer] Scott Lobdell."[16]

After he ended his first run on The Uncanny X-Men, Romita was assigned to Star Brand, one of the titles on Marvel's New Universe stamp, which featured a character the Romita was told would be Marvel's version of Superman.

The title did not do skillfully in sales, and Romita could not return to the X-Men. This experience, and personality conflicts that he had with those in editorial left Romita so disillusioned that he considered quitting the industry entirely.

However, editor Ralph Macchio approached him one day as Romita was vanishing the Marvel offices and asked him to consider working on Daredevil. Romita had never considered working on that character, despite the fact that his father had done so, but Macchio said he would be matched with writer Ann Nocenti, and that he would not only be allowed to do packed pencils for the first time[17] (having previously been restricted to doing only breakdowns[18]), but would also collaborate on plots, and be allowed to choose his own inker.

A skeptical Romita jokingly said he wanted Al Williamson, and was surprised when Williamson was assigned was confirmed a day later.[17] For Romita himself, his stint on Daredevil was most significant for creature both the first time he was allowed to do complete pencils, and the first period he had a working association with the writer on a series.

He later remarked that "I finally felt like I was part of the creation process for the first moment while I was on DD."[18] In a interview with SyFy Wire, Romita stated this jog reinvigorated his enthusiasm for comics work, marking a turning aim in his career.

His race on the title from to included the creation of long-running Daredevil nemesis Typhoid Mary.[19] After Daredevil #, Romita left the series to pursue other projects, though his experience on Daredevil would influence his later go back to the character with Frank Miller.[17]

Stan Lee interviewed Romita and his father in Episode 8 of the – documentary series The Comic Book Greats.

He worked on a host of Marvel titles during the s, including a return to Iron Man for the second "Armor Wars" story arc, written by John Byrne; The Punisher War Zone;[20] the Cable miniseries;[21] and the Punisher/Batman crossover.

Klaus Janson was a frequent inker.[8]

Romita contacted Frank Miller and told him that he wanted to collaborate on a graphic novel, suggesting they work on Wolverine. Miller dismissed this, saying that too many other creators were producing books featuring that character, and instead sent Romita a rejected page film treatment for what was essentially a "Daredevil Year One"-type story.

After Romita completed adapating the story into comics form, Miller told him that he had written an addendum to be set in between Pages 17 and 18, which ended up adding 84 more pages to the book, modifying its format. The result was the page, 5-issue miniseries Daredevil: The Man Without Fear,[17][18] which was published in ,[22] The book was a retelling of the character's origin, which reunited Romita with Williamson on inks.[18] In a interview, Romita said that in terms of storytelling, he thought that Man Without Fear was the best labor he had ever done,[17][18] due to the strong storytelling and the quality of the story.[3][17] Elements from the storyline were adapted into the Netflix series Daredevil.[17]

In July Dan Jurgens and Romita Jr.

relaunched the Thor series.[23]

A January reboot of Peter Parker: Spider-Man was handled by Howard Mackie and Romita Jr.[24]

In , Romita returned to Spider-Man for a collaboration with author J.

Michael Straczynski beginning with The Amazing Spider-Man vol. 2 #30 (June ).[25] The imaginative team produced a story for issue #36 (Dec. ) that served as memorial to the victims of the September 11 attacks.[26] He drew Marvel's Wolverine with author Mark Millar.

In , Romita's creator-owned project The Gray Area was published by Image Comics. He subsequently worked on the Marvel series Black Panther, The Sentry and "Ultimate Vision", a backup feature in the Ultimate Marvel line, written by Mark Millar.[8]

In , Romita collaborated with writer Neil Gaiman on a seven-issue miniseries reinterpretation of Jack Kirby's characters the Eternals.[27][28] Romita worked with Greg Pak on the five-issue main miniseries of Marvel's crossover storyline, "World War Hulk".[29][30]

In , Romita again returned to The Marvelous Spider-Man.[31] He also collaborated once more with Millar, for a creator-owned series, Kick-Ass, published by Marvel's Icon imprint.

This was later adapted into the production Kick-Ass. Romita, one of the producers, directed an animated flashback sequence in the film.[32]

Also in he relaunched the Avengers title with popular writer Brian Michael Bendis as apart of Marvel's Heroic Age initiative.[33]

On April 9, , Romita was one of 62 comics creators who appeared at the IGN stage at the Kapow!

convention in London to set two Guinness Earth Records, the "Fastest Production of a Comic Book" and "Most Contributors to a Comic Book". With Guinness officials on hand to monitor their progress, author Millar began work at 9 a.m.

scripting a page black-and-white comic book of his personality Superior, with Romita and the other artists appearing on stage throughout the day to operate on the pencils, inks, and lettering, each drawing a panel.[34][35] The book was completed in 11 hours, 19 minutes, and 38 seconds, and was published through Icon on November 23, , with all royalties entity donated to Yorkhill Children's Foundation.[34]

On May 4, , Romita put out to break his control record for continuous cartooning, to support the charity Candlelighters Childhood Cancer Foundation of Nevada.

He attempted to continuously sketch characters and sign comics for 50 hours straight.[36]

In , Romita Jr. became the penciller of the DC Comics flagship title Superman, starting with issue #32, in collaboration with writer Geoff Johns.[37][38] Romita Jr.'s Superman pencils own been inked by Klaus Janson.[39] In , Romita Jr.

and writer Scott Snyder collaborated on the All-Star Batman series as part of the DC Rebirth relaunch.[40][41] Romita Jr. and author Dan Abnett created The Silencer series as part of DC's "Dark Metal" line.[42] In addition, Romita worked with Frank Miller on the Superman: Year One mini-series.[43][44]

In , Romita drew Kelly Sue DeConnick's story "Fore" for Detective Comics' th issue.[45]

In he once again returned to the Amazing Spider-Man title, this period with writer Zeb Wells[46]

Influences and techniques

Romita's art influences include his father John Romita Sr.,[3] as well as comics artists Jack Kirby[3] and John Buscema,[3] the Wyeth family of painters,[3] and illustrator Charles Dana Gibson.[3]

Having illustrated both gritty street-level stories of characters such as Spider-Man and Daredevil and cosmic stories such as those starring Thor, Romita says he prefers the former, because "that is where I grew up.

I use the same approach to each of the different story types – the story tells me what to do."[3] He prefers to work in the Marvel Procedure.

Controversy

In , John Romita Jr. launched the Kick-Ass NFT project,[47] which was marketed as an opportunity for fans to hold a "hand drawn [piece of art] and will be the gateway into the John Romita Jr.

ecosystem."[47] The project attracted significant interest, raising $,[48] from fans and supporters eager to not only acquire the limited-edition artwork but also to win access to what was described as a unique and engaging ecosystem built around Romita Jr.’s creative work.

Many fans invested believing in the advertised help of receiving the promised artwork and becoming part of an exclusive fan community with distinct privileges. The project was touted as a way for fans to connect more closely with Romita Jr.

and his artistic endeavors. However, despite the initial enthusiasm, communication from the project’s team became sporadic and vague. The last official update on the development of the ecosystem was made in December via the project's private Discord server, stating that the project was still “coming soon.” Beyond this, no concrete details or timelines have been provided, leaving fans in the dark for years.

The lack of transparency has left many investors frustrated. Fans have voiced their concerns across social media and the project’s Discord, asking for more frequent updates or an explanation for the delays. Instead of receiving clarity, many fans report organism met with silence—or worse, hostility.

Some individuals have been blocked from interacting with Romita Jr.‘s social media accounts simply for asking about the project’s status. Others claim they were removed from the project’s private Discord server without warning, despite having supported the project from its inception.

Romita was the father of John Romita Jr. His first comics work was in as a ghost artist for Timely Comicsthe precursor to Marvel, through which Romita met editor-in-chief Stan Lee. InRomita began drawing horror, war, and romance comics for Atlas Comics previously Timelyand also drew his first superhero work, a s revival of Captain America. He worked exclusively for DC Comics from to and was the artist for many of their romance comics.

These actions have only fueled discontent, as supporters feel their legitimate concerns have been ignored or actively silenced.

The controversy surrounding the Kick-Ass NFT plan has drawn widespread criticism from Romita Jr.‘s fanbase, with many now questioning the project’s future and the overall handling of its management.

The core issues stem from the perceived mistake to deliver on the promises made during the project’s launch, the lack of communication with those who invested, and the unprofessional treatment of fans pursuing updates. The controversy has created a rift between the painter and his fans, tarnishing what was intended to be a groundbreaking engagement through NFTs and digital art.

Awards

John Romita Jr. received an Inkpot Award in [49]

With writer J. Michael Straczynski and inker Scott Hanna, Romita Jr. won a Eisner Award for Best Serialized Story: The Amazing Spider-Man # "Coming Home".[50]

Bibliography

DC Comics

Image Comics

  • The Gray Area #1–3 ()
  • Kick-Ass #1–6 ()

Marvel Comics

  • The Astounding Spider-Man #, –, –, –, –, –, , –, –, –, –, , , Annual #11, 16 (–, , , , –, –, )
  • The Marvelous Spider-Man vol.

    2, #22–27, 30–58 (–)

  • The Amazing Spider-Man vol. 6 #, , , , 31, , 49, ()
  • The Avengers vol. 3 #35 ()
  • The Avengers vol. 4 #1–12, 14, 16–17 (–)
  • Black Panther vol. 3, #1–6 ()
  • Cable: Blood and Metal # (miniseries, )
  • Captain America vol.

    7, #1–10 ()

  • Daredevil #–, –, –, –, Annual #5 (–)
  • Daredevil: The Dude Without Fear # (–)
  • Dark Reign: The List – Punisher #1 ()
  • Dazzler #1–3 ()
  • Eternals vol.

    3 #1–7 (–)

  • Fall of the Hulks: Gamma #1 ()
  • Fallen Son: The Death of Captain America #4 ()
  • Fantastic Four vol. 6 #35 ()
  • Free Comic Book Day Iron Man/Thor #1 ()
  • Ghost Rider/Wolverine/Punisher: Hearts of Darkness #1 ()
  • Heroes for Hope Starring the X-Men #1 ()
  • The Incredible Hulk vol.

    3 #24–25, 27–28, 34–39 (–)

  • Iron Man #–, –, –, –, –, , – (–, –)
  • The Last Fantastic Four Story ()
  • Marvel Super Hero Contest of Champions # ()
  • Marvel Super Special #5 (Kiss) ()
  • The Mighty Avengers #15 ()
  • Peter Parker: Spider-Man #57, 64–76, 78–84, 86–92, 94–95, 97–98 (–)
  • Peter Parker: Spider-Man vol.

    2, #1–3, 6–12, 14–17, 19 (–)

  • The Punisher War Zone #1–8 ()
  • Scarlet Spider #2 ()
  • Sentry vol. 2 #1–8 (miniseries, –)
  • The Spectacular Spider-Man #50, (, )
  • Spider-Man: The Lost Years #0, 1–3 (miniseries, )
  • Star Brand #1–2, 4–7 (–)
  • Thor vol.

    2, #1–8, 10–13, 16–18, 21–25 (–)

  • Ultimate Vision #0 ()
  • Uncanny X-Men #–, –, –, –, –, , –, , –, Annual #4 (–, –)
  • Wolverine vol. 3, #20–31 (–)
  • World War Hulk #1–5 (–)
  • X-Men: Legacy # ()
  • X-Men Unlimited #7 ()

Icon Comics

Marvel Comics / DC Comics

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    "In December [], co-plotters David Michelinie and Bob Layton, and penciler John Romita Jrcame up with Bethany Cabe, a highly capable professional bodyguard and a different sort of leading lady."

  10. ^Sanderson "s" in Gilbert (), p. "Tony Stark's billionaire nemesis Justin Hammer made his first appearance in The Invincible Iron Man # by writer David Michelinie and painter John Romita Jr.

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  13. ^DeFalco "s" in Gilbert (), p. "Plotted by Mark Gruenwald, Steven Grant, and Bill Mantlo, and penciled by John Romita Jr., Contest of Champions eventually saw produce in June "
  14. ^Manning "s" in Gilbert (), p.

    "Writer Roger Stern and artists John Romita Jr. and John Romita Sr. introduced a new – and frighteningly sane – version of the [Green Goblin] concept with the debut of the Hobgoblin."

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    "A brilliant weapons inventor Forge was the man the government hired when Tony Stark stopped building munitions."

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    He is the son of artist John Romita Sr. John Romita Jr. Romita Jr. Editor Stan Lee liked the designate but not the costume; Romita combined the name with a design that he had previously intended for a character called the Stalker that was intended for the never-published The Spectacular Spider-Man 3.

    "Seeing Red: Dissecting Daredevil's Defining Years". Back Issue! (21). Raleigh, North Carolina: TwoMorrows Publishing: 33–

  19. ^DeFalco "s" in Gilbert (), p. "Mary was first introduced in Daredevil # by [writer] Ann Nocenti and musician John Romita Jr."
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    "s" in Gilbert (), p. "The third ongoing series to star vigilante Frank Castle was The Punisher: War Zone, written by Chuck Dixon and with art by John Romita Jr. and Klaus Janson."

  21. ^Manning "s" in Gilbert (), p.
  22. ^Manning "s" in Gilbert (), p.

    "Comic legends Frank Miller and John Romita Jr. united to narrate a new version of Daredevil's origin in this carefully handmade five-issue miniseries."

  23. ^Manning "s" in Gilbert (), p. "Thor thundered into his new ongoing series by writer Dan Jurgens and designer John Romita Jr."
  24. ^Cowsill, Alan "s" in Gilbert (), p.

    Romita was the father of John Romita Jr., also a comic book artist, and the husband of Virginia Romita, who was for many years Marvel's traffic manager. His first comics serve was in as a ghost artist for Timely Comics, the precursor to Marvel, through which Romita met editor-in-chief Stan Lee.

    The second new Spidey title of the month featured a tale written by Howard Mackie and drawn by John Romita Jr."

  25. ^Cowsill "s" in Gilbert (), p. "J. Michael Straczynski and artist John Romita Jr. took the helm in this issue to create some of the best Spider-Man stories of the decade."
  26. ^Cowsill "s" in Gilbert (), p.

    "The most powerful Spider-Man comic of the year was Straczynski and Romita Jr.'s response to the horrific events of 9–Spider-Man's story was a highly charged, beautifully produced tribute to the heroes and victims of the attack."

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    Comic Book Resources. Archived from the original on October 7, Retrieved October 25,

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    Kick Ass 3 issue 2 John Romita Jr. Just appreciate his cartoonist father John Romita Sr. However, over the years, he has worked with nearly every other Marvel character as well, including drawing 'The Uncanny X-Men', 'Daredevil' and the creator-owned 'Kick-Ass' with writer Mark Millar.

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    John Romita, Jr. Unlike most comic book artists, John's first contribution to comic book lore came in at the young age of 13 where he came up with the concept of the Prowler and pitched the idea to Stan LeeJim Mooneyand John Buscema. They liked the idea so much that they decided to introduce John's nature into the Spider-Man mythos in the 87th issue of Marvelous Spider-Man. John's first professional stint in the Comic Book industry doing sketches for covers of reprints at Marvel UK as a favor to his father.

    Retrieved October 1,

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Further reading

  • Anderson, Chris (). "Superman redrawn". Book Club. SciFiNow. : –

External links